Reality is the 24th studio album by the English musician David Bowie, originally released in Europe on 15 September 2003, and the following day in America. His second release through his own ISO label, the album was recorded between January and May 2003 at Looking Glass Studios in New York City, with production by Bowie and longtime collaborator Tony Visconti. Most of the musicians consisted of his then-touring band. Bowie envisioned the album as a set of songs that could be played live.
Heathen is the 23rd studio album by the English musician David Bowie, originally released in Europe on 10 June 2002, and the following day in America. His first release through his own ISO label, it reunited Bowie with producer Tony Visconti for the two's first full-album collaboration since 1980. Recording took place at New York studios from August 2001 to January 2002 and featured guest musicians including Dave Grohl and Pete Townshend. Two tracks, "Afraid" and "Slip Away", evolved from Bowie's shelved Toy project, while three were covers of songs by Pixies, Neil Young and the Legendary Stardust Cowboy.
"Fame" is a song recorded by the English singer-songwriter David Bowie. It was released on his 1975 album Young Americans and was later issued as the album's second single by RCA Records in June 1975. Written by Bowie, Carlos Alomar and John Lennon, it was recorded at Electric Lady Studios in New York City in January 1975. It is a funk rock song that represents Bowie's dissatisfaction with the troubles of fame and stardom.
"'Heroes'" is a song by the English musician David Bowie from his 12th studio album of the same name. Co-written by Bowie and Brian Eno and co-produced by Bowie and Tony Visconti, the song was recorded in mid-1977 at Hansa Studio 2 in West Berlin. The backing track was recorded fully before lyrics were written; Bowie and Eno added synthesiser overdubs while Robert Fripp contributed guitar. To record the vocal, Visconti devised a "multi-latch" system, wherein three microphones were placed at different distances from Bowie and would open when he sang loud enough. Like other album tracks, he improvised lyrics while standing at the microphone.
"Sound and Vision" is a song by the English musician David Bowie. It was released in January 1977 by RCA Records on side one of his 11th studio album Low. RCA later chose it as the first single from the album. Co-produced by Bowie and Tony Visconti, the song was recorded at the Château d'Hérouville in Hérouville, France, in September 1976, and completed at Hansa Studios in West Berlin in October and November. The song began as a simple G major chord progression that Bowie gave to the backing musicians, writing and recording his vocals afterward. It features backing vocals from Brian Eno and Visconti's then-wife Mary Hopkin.
"Scary Monsters (and Super Creeps)" is a song by the English singer-songwriter David Bowie, released as the title track of his 1980 album Scary Monsters (and Super Creeps). It was also issued as the third single from that album in January 1981. Coming as it did in the wake of two earlier singles from Scary Monsters, "Ashes to Ashes" in August 1980 and "Fashion" in October the same year, NME critics Roy Carr and Charles Shaar Murray labelled its release another instance "in the fine old tradition of milking albums for as much as they could possibly be worth". The song was subsequently performed on a number of Bowie tours.
"Prisoner of Love" is a song by Tin Machine taken from their eponymous debut album. It was issued as their third single in October 1989.
"You Belong in Rock n' Roll" is a song by Anglo-American hard rock band Tin Machine, released ahead of their second album in August 1991. The song was the band’s first release on Victory Records, which was distributed by London Records in the UK.
"Look Back in Anger" is a song written by English artists David Bowie and Brian Eno for the album Lodger (1979). It concerns "a tatty 'Angel of Death'", and features a guitar solo by Carlos Alomar.
"Hallo Spaceboy" is a song by the English musician David Bowie from his 20th studio album, Outside (1995). It originated as an instrumental by Reeves Gabrels called "Moondust", which Bowie and Brian Eno stripped down and used to form the final track. An industrial rock and electronica number influenced by the Pixies and Nine Inch Nails, the song contains a hypnotic sound, with synthesisers, loops and distorted guitar lines. Lyrically influenced by Brion Gysin, the song contains images of apocalypse and continues the androgynous conundrums of former Bowie songs such as "Rebel Rebel".
"Little Wonder" is a song by English musician David Bowie, released as the second single from his 21st album, Earthling (1997). "Little Wonder" backed by three remixes, was issued on 27 January 1997. The single was a success, peaking at number 14 in the UK and topping the chart in Japan. The accompanying music video was directed by Floria Sigismondi and depicts Bowie at three different ages. Biographer David Buckley considers it a dance-oriented video rather than a rock one, reminiscent of Orbital's "The Box" (1996).
"Seven Years in Tibet" is a song written by English musician David Bowie and Reeves Gabrels from the 1997 album, Earthling. It was released as the album's fourth single. In some territories, a version of the song sung by Bowie in Mandarin Chinese was released as "A Fleeting Moment".
"Dead Man Walking" is a song by English musician David Bowie, released as the third single from his 21st studio album, Earthling (1997). Written by Bowie and Reeves Gabrels, it was a top 40 hit in the UK, peaking at number 32. Bowie described "Dead Man Walking" as his homage "to rock and roll that is still young while we are all growing old". As such, the lyrics reflect his thoughts on aging at this point in his career.
"Thursday's Child" is a song recorded by David Bowie for his twenty-second studio album Hours (1999). Written by Bowie and Reeves Gabrels, the song was released as the album's lead single on 20 September 1999, by Virgin Records.
"Survive" is a song by the English musician David Bowie from his 1999 album Hours. It was later released in remixed form as the album's third single on 17 January 2000, reaching number 28 in the UK. Written by Bowie and Reeves Gabrels, it is a reflective number detailing the end of a relationship. Musically, it recalls the sound of Bowie's folk rock music of the late 1960s, and 1971's Hunky Dory. Its music video echoes the reflective quality of the recording, portraying Bowie levitating at a kitchen table with an egg. Praised as a highlight of Hours, Bowie performed "Survive" frequently through 1999 and 2000.
"Slow Burn" is a song by English musician David Bowie. It was released as the lead single from his 22nd studio album, Heathen, on 3 June 2002. The song was not released as a single in the UK. There was no British single from Heathen released until September, with "Everyone Says 'Hi'". The recording features Pete Townshend on guitar. The song earned Bowie a Grammy nomination for Best Rock Male Vocal Performance.
"I've Been Waiting for You" is a song written by Neil Young, which he recorded for his 1968 debut solo album. In a song review for AllMusic, critic Matthew Greenwald described it as "One of the most powerful and well-crafted songs from Neil Young's self-titled solo debut ... A very strong and engaging melody is set against a striking, descending guitar riff, which serves as the song's hook."
David Bowie is a box set by English singer-songwriter David Bowie, released in June 2007 by Sony Music Entertainment and Columbia Records. The box set includes expanded versions of all of Bowie's Sony-owned albums: Outside, Earthling, Hours, Heathen and Reality..
"Heaven's in Here" is the lead track from the eponymous debut album by the Anglo-American hard rock band Tin Machine. Written by David Bowie, it was released as a promotional lead single from the album in 1989.
Brilliant Adventure (1992–2001) is a box set by English singer-songwriter David Bowie, released on 26 November 2021. A follow-up to the compilations Five Years (1969–1973), Who Can I Be Now? (1974–1976), A New Career in a New Town (1977–1982) and Loving the Alien (1983–1988), the set covers the period of Bowie's career from 1992 to 2001, commonly regarded by analysts as an artistic renaissance following his commercially successful but critically maligned work in the 1980s. However, Bowie's 1988–1992 tenure with the hard rock group Tin Machine is excluded. The set comprises eleven compact discs or 18 LPs.
